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Playing unplanned sets allows her to respond to the crowd, and she’s rocked parties and clubs like Miami’s Sunday School for Degenerates, Yes at Watergate in Berlin, Tomorrowland in Belgium, Melkweg in Amsterdam, Catwalk in Rotterdam and Op Art in Portugal to name a few. She can be found playing her brand of minimal, techno and tech house in clubs all over the world every weekend, and her love of what she does is obvious to all.

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Two more tracks have followed on Get Physical and Pickadoll plus a remix for Dada Life, and Ida signed with the Plantage13 agency for international gigs. It charted across the whole of Europe, doing especially well in Holland, Belgium and Germany. Her first effort was the massive Disco Volante – signed by John Dahlbäck to his Pickadoll label and released in 2007 with a Sebastien Leger remix it became a huge hit all over the world, featuring on compilations from Ministry of Sound, Defected in the House and Pacha Ibiza. There are so many great producers and DJs living here and people really support each other.”,Although DJing is her first love, it was only a matter of time before Ida tried her hand at production. “Stockholm is a great platform for electronic music. “My first gig was a warm up for Eric Prydz and after that I did warm ups for everyone from Damian Lazarus, Mandy, Anja Schneider and Jennifer Cardini to Roger Sanchez and Steve Angello. Everywhere I went it was people with the same passion for music as I had.” At the end of the season, Ida returned to Stockholm landing a top residency at Cocktail Club, the best underground club in Stockholm. In Ibiza I met so many people who shared the same dream- To be working with music.” “I was playing in bars and smaller clubs and in afterhour parties. “I had fallen deeply in love with the minimal techno sound so it was perfect at the time. “I was playing house, tribal and electro and I really loved every second of it! I kept my residency there for two and a half years until I decided I wanted to spread my wings a bit.”,A move to Marbella brought 8 months of club gigs, followed by a season in Ibiza which inspired Ida musically like no other place. “I guess it was there it really started” says Ida. The owner immediately changed her job description to DJ, and put her in the main room, kicking off her DJ career proper. At this time I was playing lounge music, ambient and soulful house.”,Ida honed her mixing skills and bagged her second residency through more fortuitous timing – working as a host at a big nightclub, Spy Bar, she stepped in for the errant resident DJ who’d had a skinful and promptly disappeared, leaving the dancefloor in silence. “I was probably a terrible DJ” she says modestly, “but he loved the music so he booked me every Friday. Ida talked her way onto the decks on the proviso that if it wasn’t working after half an hour she’d get off again – by the time she’d finished playing she’d secured her first weekly residence.

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Unfolding coherently and in soothing fashion, this album once again proves that few producers in the modern world have a knack for melody and an ear for sonic ingenuity quite like Stephan Bodzin.27-year-old Ida Engberg started DJing hip hop and soul aged 14 after a boyfriend showed her how to mix, but she says “I had absolutely no plans on becoming a DJ, I just saw it as a new way to listen to and interact with music and I loved it!” But fate had other plans – while at a friend’s bar aged 18 his regular DJ called in sick. The ghostly grooves of ‘Zulu’ mark a majestic mid point to the album, which then continues to seduce with spiritual synths and more beautiful melodies on cuts like ‘Odyssee’ as well as the album’s standout title track. ‘Blue Giant’, ‘Wir’ and ‘Ix’ all manage to be uplifting and thoughtful at the same time as driven and groovy, whilst ‘Birth’ comes on with a hymnal high note, long tailed pads and subtly shifting beats. Kicking off with the spine tingling chords and louche beats of ‘Singularity’ cuts like ‘Lila’ then continue to confirm that Stephan Bodzin has a classical understanding of melody that is way beyond your average. All this shines through and makes it an all the more engaging listen from start to finish. It is my wife, my children, my family, my friends, my passion, my enemy, my greatest fulfillment, my fear, my deepest peace, my power, all my love.”Īs such, this album is hugely personal and is filled with cerebral messages and well thought out concepts. It is a journey, a philosophy of life, a view of the world, a vague perception.

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It is an homage to Bob Moog, full of techno beats and sounds and space and party and ecstasy and dancing and listening, and crying and feeling.

The album is about harmonies, melodies, rhythms. Mabuse, The Gambler I' live at UFA Film Nights Berlin